For more than half of my life I was a die-hard Prince
fan. It started when I first saw Purple
Rain and was solidified when I saw Prince live in early December of 1985 on the
Purple Rain tour. Prince has released at
least one album every year since 1978 and as far as I was concerned every
single one of them was genius material.
Then one day in mid 2010, I was listing to Prince’s Twenty10
album I realized that the music was not good.
Then it dawned on me that the album before that was not good either, nor
the one before that, I had to think back to late ‘80s to find an album that was
great.
Over the years I’ve been lucky to see Prince perform live
many, many times. He’s so good live that
I’ve often travelled for his shows.
Aside from my hometown of Toronto, I’ve seen him in Montreal, Buffalo,
New York and Minneapolis where on July 7th, 2007 I was lucky enough
to see two of his shows in one day, first at the Target Center and then at 1st
Avenue, on the very stage where Purple Rain was filmed. That was the last time I’d seen him until a
month ago.
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Pince symbol shaped stage
Photo courtesy www.skinnydip.ca |
On November 25th, 2011 Prince kicked off his
Welcome 2 Canada tour in Toronto and I already had a commitment out of town, so
I had to miss it. I ended up catching
him in Ottawa a week later at Scotiabank Place on December 3rd,
2011.
I was super-hyped to see this show, it utilized the same amazing
stage that was used for Prince’s performance at the Super Bowl four years
prior. It was shaped like the hieroglyph
which Prince had used as a name for a few years.
He opened the show with the song D.M.S.R. (Dance Music Sex Romance), from the “1999” album which was
released in 1982. The music was
thumping and Prince looked more like a 20-something than a 53 year old. I was rather surprised to see how lithe he
was, considering that it was well documented that he had a bad hip from his
years of high-heel wearing, however he could not take the hip replacement
surgery due to his religion which forbids him from having a blood transfusion.
Prince brought the funk throughout the night and he focused
mainly on his music from the early to mid-80s. The one exception was the song “Guitar” from 2007’s “Planet Earth” album
and when he played that song it was so unfamiliar to the audience that the
energy in room just deflated, even though it was a very energetic song. It was clear that he’d lost his audience with
this one and he quickly returned to the ‘80s bangers.
This was the first time that I wasn’t familiar with the
whole band line-up. Of course I
recognized a couple of the musicians that had been with Prince for a while. The prestigious Maceo Parker was featured on
saxophone. John Blackwell, who was with Prince on 2004’s
Musicology tour returned as his drummer, but not very well featured. A newcomer to the band, Andy Allo, is a
female rapper and backup singer, was stunningly gorgeous wearing a print top
that featured her own face.
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Prince with Andy Allo performing at the Montreal Jazz Festival.
Photo courtesy of www.lipstickalley.com |
Andy Allo is featured on a rap during Prince’s song “Extralovable” which had been released
the week before to coincide with the launch of the tour. Interestingly, the
song was originally recorded in the early ‘80s, during the sessions for the
1999 album. It was never released and
finally Prince went back on re-recorded it.
In fact he mentioned that he plans to release three different versions
of the song. The original was a brutally
misogynistic piece, but the new version was considerably softened.
So here’s Prince with a new song from the early ‘80s and
almost every song he performed in the show was from the ‘80s. It was if he had
come to same conclusion as I had about how much his more recent works lacked relevance.
Although he never did perform “Extralovable”, he did perform three songs
from The Time, a group that was a prodigy of his, and it is generally accepted
that he wrote most of the their songs and produced their albums.
Prince rarely
performs songs exactly like the record, his thinking is that it’s got to be
better than the record, his songs are his babies and they continue to grow
through years, but I was thrilled that the guitar solo ending of “Let’s Go Crazy” was a duplicate of the
record, as was the guitar solo in “Purple
Rain”.
A really cool part of the show had Prince playing with a
synthesizer that triggered samples of various songs. He teased the crowd with one song or the
next. Prince’s mission with this show
was to turn the arena into a dance club.
I think he succeeded. I think
Prince is one of the greatest concert performers of all time and I truly
believe every other musician or serious music fan is missing out if they do not
see him live. Yet, maybe it was just me,
but I couldn’t help to think that Prince failed to connect with the audience at
this show. This is one of Prince’s
fortes, building a repertoire with the crowd and I didn’t sense that this time.
I felt that he wasn’t totally engaged on this outing. He had after all just played Montreal, one of
the greatest cities on the planet the night before, so maybe he was tired on
this bone chillingly cold night in Canada’s capital city.